Professor of Music
Dane Richeson is Professor of Music at Lawrence University Conservatory of Music in Appleton, Wisconsin, where he has been Director of Percussion Studies since 1984. Under the direction of Mr. Richeson, the Lawrence University Percussion Ensemble (LUPE) has released two critically acclaimed CDs, and been awarded honors by the Wisconsin Music Educators Association and the Percussive Arts Society.
Dane Richeson is recognized as one of the most versatile virtuosi in percussion. Throughout the world he has been featured in such diverse roles as solo marimbist, percussionist in contemporary music settings, world percussion specialist and jazz drummer. Performances have been with such diverse artists as Bobby McFerrin, Gordon Stout, Nancy Zeltsman, Gunther Schuller, Geoff Keezer, Joe Lovano, NDR Big Band of Germany, Roscoe Mitchell, Medeski-Martin-Woods, Kenny Wheeler, Uri Caine, and Lyle Mays. He regularly performs with the chamber ensembles CUBE (Chicago), The Bach Dancing and Dynamite Society (Madison, WI) and has been a featured marimba artist/teacher at several of the Zeltsman Marimba Festivals, the Ivana Bilic Marimba/Percussion Week in Croatia, and the Central Conservatory Chamber Music Festival in Beijing. Moreover, he has performed at festivals such as Ravinia, North Sea and Montreux Jazz Festivals, and Beijing Music Festival.
Mr. Richeson has performed on numerous recordings including works on Blue Note Records, Origin Records, Klavier, Accurate, Mark, Naxos, A-Records, CRI, Albany, Innova, and A-440. In addition, Mr. Richeson has lived in three distinctly different cultures: Ghana, Africa, studying the music and dance of the Ewe people with master drummer Godwin Agbeli and gyil with Kakraba Lobi; Matanzas, Cuba where he studied with Afro-Cuban drummer Jesús Alfonzo, musical director of Los Muñiquitos de Matanzas and Daniel Alfonso; Salvador and São Paulo, Brazil where he studied the drumming traditions of the State of Bahia with Giba Conceicao and choro/MPB styles with Guello. This research was funded in part by the National Endowment for the Arts/Arts International and Lawrence University.
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