Lawrence's composition faculty are professional composers and creators with expertise in chamber, vocal, and orchestral music, opera, electronic media, improvisation, and innovative collaboration.
The music of Joanne Metcalf, critically acclaimed as “music of great beauty” (Klassik-Heute) and “extraordinarily beautiful” (International Record Review), is known for its evocative lyricism, rhythmic extravagance, and “beautiful use of vocal colours and texture” (Glasgow Herald). Drawing inspiration from Renaissance and medieval polyphony, ancient Georgian folksinging, and contemporary extended vocal techniques, Ms. Metcalf has forged a compelling musical voice that “evoke[s] earlier musical forms” (The Globe and Mail, Montreal) yet is “unmistakably contemporary” (Glasgow Herald). Her compositions have been commissioned, performed, and recorded by leading musicians throughout the world.
Most recently, the legendary Gothic Voices released Music for the Star of the Sea and Il nome del bel fior on the group’s resplendent CD of early and contemporary music, Mary Star of the Sea. Ms. Metcalf has received commissions from the Hilliard Ensemble; Singer Pur, Germany’s pre-eminent vocal ensemble; Cappella Nova; and Canty, Scotland’s premiere female vocal quartet. Her choral works have also been performed by Fuma Sacra, the Dresdner Kammerchor, and The Crossing. Other important advocates of her music include Christopher Lyndon-Gee, tenor John Potter, the Ciompi Quartet, and Nancy Zeltsman. Ms. Metcalf’s compositions have been heard at the Cheltenham International Festival of Music, Schleswig-Holstein Musik Festival, Schwetzinger Festspiele, Hannover Bienniale, Beethovenfest Bonn, York Festival of New Music, Washington National Cathedral, Glasgow Cathedral, and the Harvard Center for Italian Renaissance Studies.
Joanne Metcalf has received awards and fellowships from the North Carolina Arts Council, Copland House, the McDowell Colony, the Netherland-America Foundation, and the International Association of Women in Music. She studied composition with Scott Lindroth and Stephen Jaffe at Duke University and with Louis Andriessen as a Fulbright Fellow at the Royal Conservatory of Music in The Hague. She holds a Ph.D. from Duke University. Her compositions are recorded on the Linn Records, Oehms Classics, and ECM New Series labels.
As an Indian-American composer, Asha Srinivasan draws from her Western musical training and her Indian heritage to create her compositional language. Her music has been presented at various national and international venues including SEAMUS, ICMC, June in Buffalo, SCI, and the National Flute Convention. She won the Ruam Samai award at the 2011 Thailand International Composition Festival for Dviraag (flute and cello) and she was selected for the 2012 Mizzou New Music Summer Festival, where Svara-lila (chamber orchestra) was premiered by Alarm Will Sound. She has also won national commissioning competitions, including the BMI Foundation's Women's Music Commission and the Flute/Cello Commissioning Circle. Other honors include: multiple ASCAPlus Awards, the Walsum prize for Kalpitha (string quartet), and the Prix d'Eté 2nd prize for Alone, Dancing (flute and electronics). Her works have been recorded on Ablaze Records, Beauport Classical, and Mark Records. Her studies include: D.M.A. in Composition at University of Maryland, College Park; M.Mus. in Computer Music Composition and Music Theory Pedagogy at the Peabody Conservatory, and B.A. at Goucher College.
The music of Evan Williams draws from a wide range of influences, both musical and cultural. His work reflects inspirations from the Baroque, Romanticism, Modernism, Post-Minimalism, contemporary popular music, and everything in between. Williams’ music has been performed across the country and internationally in Canada, Italy, and Switzerland. His work has been performed by the International Contemporary Ensemble, Quince Contemporary Vocal Ensemble, Fifth House Ensemble, the Verb Ballets, and at festivals such as Fresh Inc, N_SEME, SEAMUS, Studio 300, the Electroacoustic Barn Dance, the New York City Electronic Music Festival, and the Midwest Composers Symposium. He has been commissioned by notable performers and ensembles including the Cincinnati Symphony Orchestra, the Lawrence University Symphony Orchestra, the V3NTO Brass Trio, the Urban Playground Chamber Orchestra, Patchwork Duo, and a consortium led by Andy Hall for his baritone saxophone concerto Wild Velvet. He has also received readings by the JACK Quartet, Oasis Saxophone Quartet, and Toledo Symphony Orchestra, among others. His work can be found on recordings by The Namaste Ensemble's "No Borders Quartet" and Levels.
Dr. Williams is also an aspiring conductor, and has trained at the Bard Conductors Institute and the Band Conducting and Pedagogy Clinic at the University of Michigan. He has conducted concerts with the Lawrence University Symphonic Band, numerous chamber ensembles, at the 2012 New Music Festival at BGSU, with Café MoMus (CCM’s contemporary chamber ensemble), and with members of the International Contemporary Ensemble.
Matt Turner is widely regarded as one of the world's leading improvising cellists. Equally skilled as a pianist, Turner performs in numerous styles and has shared the stage in the U.S., Canada, Europe and Asia with Cape Breton fiddle sensation Natalie MacMaster, avant-garde musicians Marilyn Crispell, Peter Kowald, Guillermo Gregorio, Scott Fields, and John Butcher, as well as country musician Wanda Vick, singer-songwriter LJ Booth, and jazz musician Bobby McFerrin to name a few. He appears on over 100 recordings on Sketch/Harmonia Mundi, Illusions, Music and Arts, Accurate, Polyvinyl, Cadence Jazz and others, recording with jazz violinist Randy Sabien, goth vocalist/pianist Jo Gabriel, singer/songwriters Mark Croft and Tret Fure, punk artist Kyle Fischer, Kitty Brazelton's chamber rockestra Dadadah, alt-country band Heller Mason, and with the Pointless Orchestra.
Turner completed his undergraduate studies at Lawrence University and his Master of Music degree in Third Stream Studies (now the Contemporary Improvisation program) at the New England Conservatory of Music, where he studied with Dave Holland, Geri Allen and Joe Maneri, and where he was the recipient of a Distinction in Performance Award.
As a leader, Turner's recordings appear on Illusions, Stellar, O.O. Discs, Asian Improv, Penumbra, Fever Pitch, Geode, Tautology and Meniscus Records. Turner is a Yamaha Performing Artist and currently performs and records with Bill Carrothers' Armistice 1918 ensemble and with the Fantastic Merlins.