GER 101
German 1
The first course of a two-term sequence that introduces students to the basics of German. The traditional four skills of speaking, writing, reading, and listening are practiced, yet the prime concern is adequate comprehension and response within a given situation.
Units: 6.
GER 102
German 2
A continuation of German 101. Students improve their communicative skills with continued practice in the four skills of speaking, writing, reading, and listening while learning about the culture of German-speaking countries.
Units: 6.
Prerequisite: GER 101 or the equivalent
GER 177
Introduction to German Film (in English)
With its pivotal role in the inaugurationof the cinema, knowledge of German film is critical to an understanding of the history of film. Considered as one of the most accessible aesthetic forms, the moving image pervades our everyday lives, and yet we seldom think of what we do as "reading" films. Throughout this course, students will be introduced to the practice of reading German films using three structuring lenses: 1) film and cultural history, 2) formal and generic elements, and 3) film criticism.
Units: 6.
Also listed as Film Studies 177
GER 191
Directed Study in German
Directed study follows a syllabus set primarily by the instructor to meet the needs or interests of an individual student or small group of students. The main goal of directed study is knowledge or skill acquisition, not research or creative work.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
GER 195
Internship in German
An opportunity for students to apply their German language skills in business, governement, and the non-profit sector on the regional, national, and international level. Arranged in collaboration with and supervised by a member of the department. Includes readings, discussion, report, and/or portfolio. Advance consultation and application required.
Units: 2 OR 3.
Prerequisite: Counter Registration Required.
GER 201
Intermediate German I
Further development of the four basic skills with an emphasis on increasing the student’s ability to understand literary as well as non-literary texts of increasing difficulty. Successful completion of German 201 satisfies Lawrence’s foreign language requirement.
Units: 6.
Prerequisite: GER 102 or the equivalent
GER 202
Intermediate German II
Special emphasis on building reading and writing skills and expanding vocabulary. Cultural units include “Die Schwarzwaldklinik,” a German TV series that develops listening comprehension and raises issues for student essays.
Units: 6.
Prerequisite: GER 201 or the equivalent
GER 275
The Culture of Music in Germany
After considering the role of music in the construction of “Germanness,” the course focuses on the evolution of the “Lied” from folk song to the artistic “Lieder” and on contemporary popular music. Songs from the 18th to the 20th century are treated primarily as texts and cultural artifacts. Course will count toward the humanities general education requirement for B.A. and B.A./B.Mus students.
Units: 6.
Prerequisite: GER 202 or consent of the instructor
Also listed as Music History 150
GER 276
Grim(m) Stories? Comparative Fairy Tales in Translation
The course focuses on tales collected by the Brothers Grimm, but it will also include other “national” collections (Perrault, Basile, Afanas’ev). Students will be introduced to various interpretative approaches (formalistic, structural, psychological, Marxist) that will enable them to analyze types, themes, and motives across cultures. Taught in English, but with the opportunity for students proficient in German or French to read in those languages. Course will count toward the humanities general education requirement for B.A. and B.A./B.Mus students.
Units: 6.
GER 277
Introduction to German Film Studies
With its pivotal role in the inauguration of the cinema, knowledge of German film is critical to any understanding of the history of film. This course is intended to be an introduction both to German cinema and to the discipline of film studies. Considered perhaps as one of the most accessible aesthetic forms, the moving image pervades our everyday lives and yet we seldom think of what we do in the movie theatre as “reading.” Throughout this course, students will be introduced to the practice of reading the filmic text using three structuring lenses: 1) history, 2) formal and generic elements, and 3) film criticism.
Units: 6.
Prerequisite: GER 202 or consent of instructor
Also listed as Film Studies 277
GER 285
Advanced Composition and Conversation
Students improve and refine writing and speaking skills through study of a variety of written texts, discussion based on readings, grammar exercises, and systematic vocabulary building. The primary work in the course involves composing (in multiple drafts) texts that fall into diverse categories, including descriptive, argumentative, and persuasive essays.
Units: 6.
Prerequisite: GER 202 or consent of instructor
GER 288
German Theatre Workshop
Intensive study of German dramatic literature culiminating in a public workshop performance. Students will investigate the background of the author and period of the plays, as well as doing dramatic readings. Assignments will include short essays and oral presentations. Course will count toward the humanities general education requirement for B.A. and B.A./B.Mus students.
Units: 6.
Prerequisite: GER 202 or consent of instructor
GER 290
Berlin: Experiencing a Great City
This course introduces students to one of the world’s great cities. Classwork includes the history, culture, and literature of Berlin as well as preparations for a series of day-long walking tours of the city that students will conduct themselves for their classmates with the help of a guidebook. In addition, students will conduct comparative research on some aspect of life in the U.S. or Germany. Students must complete both the classroom portion of the course and the Berlin trip to receive credit. Course will count toward the humanities general education requirement for B.A. and B.A./B.Mus students.
Units: 2 OR 4.
Prerequisite: GER 201 or higher
GER 312
Reading Texts and Contexts
This course serves as a transition from the language sequence to advanced courses in German literature and culture. Texts vary from novels to non-fiction, from drama to poetry, and from written forms to film. While familiarizing students with both literary and cultural analysis, the course stresses literature’s place in fostering an understanding of German society.
Units: 6.
Prerequisite: GER 275, 285 or consent of instructor
GER 355
The Holocaust in German Culture (in English)
This course focuses on literary responses to the Holocaust, but it also deals with film and the issue of commemoration. After a discussion of the difficulty of representing the Holocaust, the course examines the Holocaust’s role in the construction of German-Jewish identity and its impact on post-war German culture. Taught in English. German majors and minors may participate in a two-unit tutorial in which discussions and some course readings will be in German.
Units: 6.
Prerequisite: Sophomore standing or consent of instructor
Also listed as History 311
GER 357
Film in Germany (in English)
This course selects from 90 years of filmmaking in Germany. Films range from expressionism to Nazi propaganda and from escapist comedies to avant garde art. Learning to “read” German films critically also means finding out how to understand movies from Hollywood and beyond. Possible topics include “From Caligari to Hitler,” “German Literature as Film,” and “What Makes Lola Run.” Taught in English. German majors and minors may participate in a two-unit tutorial in which discussions and some course readings will be in German.
Topic for Winter 2013: German Science Fiction Films
This course will trace the development of the science fiction genre in German-language cinema within the context of the radical political and social shifts of the 20th and 21st centuries. We will examine films from imperial Wilhelmine Germany, the Weimar Republic, Nazi Germany, the FRG, the GDR, Austria, and post-Wall Germany. Issues to be considered include: humanity’s relationship to technology, alien Others, the benefits and dangers of scientific progress, and the nature of human existence. Taught in English.
Units: 6.
Also listed as Film Studies 357, Theatre Arts 351
GER 359
Inventing Germany (in English)
Students use literary and non-fiction texts to examine German national identity as it developed from the French Revolution through Bismarck and two world wars to “reunification” in 1990. Topics include the role of Germany in Europe, the legacy of divided Germany, and diversity in German society today. Taught in English. German majors and minors may participate in a two-unit tutorial in which discussions and some course readings will be in German.
Units: 6.
Also listed as History 310
GER 361
Vampires, Monsters, and Man-Eaters (In English)
This course seeks to reveal the ways in which the question of monstrous difference is articulated in a variety of German “texts.” Its main goal is to examine the ways that representations of monstrousness are employed to stage complex public and private anxieties as well as to provide an expression of rebellion against various systems of hierarchy. Featured in the works of canonized authors as well as within the realm of popular culture, the representational functions of the monster can provide valuable insight into numerous aspects of German history and psychosexual relations.
Units: 6.
Also listed as Gender Studies 361, Film Studies 361
GER 362
Vampires, Monsters, and Man-Eaters
This course seeks to reveal the ways in which the question of monstrous difference is articulated in a variety of German “texts.” Its main goal is to examine the ways that representations of monstrousness are employed to stage complex public and private anxieties as well as to provide an expression of rebellion against various systems of hierarchy. Featured in the works of canonized authors as well as within the realm of popular culture, the representational functions of the monster can provide valuable insight into numerous aspects of German history and psychosexual relations.
Units: 6.
Prerequisite: GER 312
Also listed as Gender Studies 362, Film Studies 362
GER 375
Novellen
Although Novellen developed as a literary form throughout Europe, it was particularly popular in Germany from the late 18th through the 20th centuries. This course introduces students to the Novelle as a form, to a variety of interesting works of literature and to the cultural, social and political developments in which Novellen were written and read.
Units: 6.
Prerequisite: GER 312
GER 377
Introduction to German Film Studies
With its pivotal role in the inauguration of the cinema, knowledge of German film is critical to any understanding of the history of film. This course is intended to be an introduction both to German cinema and to the discipline of film studies. Considered perhaps as one of the most accessible aesthetic forms, the moving image pervades our everyday lives and yet we seldom think of what we do in the movie theatre as “reading.” Throughout this course, students will be introduced to the practice of reading the filmic text using three structuring lenses: 1) history, 2) formal and generic elements, and 3) film criticism.
Units: 6.
Prerequisite: GER 312
GER 388
German Drama
Study of German dramatic literature that may or may not culminate in a workshop performance of a play or portions of plays. Students will situate German plays in their literary, historical and cultural context and also perform short dramatic readings. Assignments may also include short essays and oral presentations.
Units: 6.
Prerequisite: GER 312
GER 390
Tutorial Studies in German
Individual study arranged and carried out in close consultation with an instructor.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
GER 391
Directed Study in German
Directed study follows a syllabus set primarily by the instructor to meet the needs or interests of an individual student or small group of students. The main goal of directed study is knowledge or skill acquisition, not research or creative work.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
GER 395
Internship in German
An opportunity for students to apply their German language skills in business, governement, and the non-profit sector on the regional, national, and international level. Arranged in collaboration with and supervised by a member of the department. Includes readings, discussion, report, and/or portfolio. Advance consultation and application required.
Units: 2 OR 3.
Prerequisite: Counter Registration Required.
GER 399
Independent Study in German
Advanced research on a topic of the student’s choice, arranged in consultation with the department. Students considering an honors project should register for this course.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
GER 410
Medieval German Literature
A study of representative works from the Old and Middle High German period. The thematic focus will vary, but topics include the concepts of loyalty and honor and how they changed with the influence of Christianity, the Arthurian legend in German literature as compared to other traditions, and representations of women in medieval German literature.
Units: 6.
Prerequisite: GER 312 or consent of the instructor
GER 411
Fascism and Film (in English)
This course lets students examine films that were ostensibly made as entertainment or explicitly crafted as propaganda in the historical context of Nazi Germany and occupied France. Aside from learning how governments and their cinematic agents used this relatively new medium to shape public opinion (in support of the war, against Jews, etc.) students will see where and how resistance was possible.
Units: 6.
Also listed as Film Studies 412
GER 416
Kinder- und Jugenliteratur
This course examines the development of the distinct genre of literature for children and adolescents since the 18th century. It combines the analysis of classic texts, e.g., Heidi or Karl May, with close readings of modern cult classics.
Units: 6.
Prerequisite: GER 312 or consent of instructor
GER 417
Deutsche? Demokratische? Republik?
In the years since the fall of the Berlin Wall in 1989, both the promise and the problems of the German Democratic Republic have faded from memory. Indeed, the experience seems to have receded into the distant past. This course explores both the lofty goals and difficult circumstances of the DDR’s birth and its gradual decline and fall. The course pays particular attention to literary and filmic representations of hope and fear that the country engendered.
Units: 6.
Prerequisite: GER 312
GER 418
Topics in German Cultural Studies
Topics in German Cultural Studies allows for an in-depth examination of topics across time, for example, women’s writing or crime fiction, or it permits a detailed analysis of special topics, for example, Turkish-German culture in contemporary German film.
Topic for Spring 2013: Wiener Moderne
From roughly 1890 to 1910 the Austrian capital, Vienna, was a hotbed of literary and cultural activity that reflected and explored the impact of modernity on society. The works of Sigmund Freud, Ludwig Wittgenstein, Hugo von Hofmannsthal, Arthur Schnitzler, Robert Musil, Otto Wagner, Adolf Loos, Gustav Klimt and others gave voice to a modernist spirit that had a fundamental influence on subsequent cultural developments throughout Europe in the 20th century. In addition to works of literature, we will also examine art, music, and architecture within the socio-political context of fin-de-siècle Vienna.
Units: 6.
Prerequisite: GER 312
GER 421
Grimms Märchen
This course examines the entire corpus of the Grimm’s fairy tales, from the well-known to the obscure. Students will learn to find structural similarities and to situate the tales in their historical, social and literary context.
Units: 6.
Prerequisite: GER 312 or consent of instructor
GER 441
The Fantastic and Grotesque in German Art and Literature (in English)
The course examines expressions of the fantastic and grotesque in literature from the 18th to the 20th centuries; it will also incorporate film and other visual versions of several texts. Works range from the fairy tales collected by the brothers Grimm to the fanciful and ominous creations of E.T.A. Hoffmann and others working in that tradition. Taught in English. German majors and minors may participate in a two-unit tutorial in which discussions and some course readings will be in German.
Units: 6.
GER 442
The Fantastic and Grotesque in German Art and Literature
The course examines expressions of the fantastic and grotesque in literature from the 18th to the 20th centuries; it will also incorporate film and other visual versions of several texts. Works range from the fairy tales collected by the brothers Grimm to the fanciful and ominous creations of E.T.A. Hoffmann and others working in that tradition. Taught in German.
Units: 6.
Prerequisite: GER 312 or consent of the instructor
GER 443
German Expressionism in Art and Literature (in English)
The course focuses on the two faces of expressionism: its ecstatic missionary aspect and its darker pessimistic side, as both are manifested in poetry, drama, and art. It will show how the missionary aspect was perversely appropriated by the Nazis, who distorted Nietzsche’s “Übermensch” and declared expressionist art “degenerate.” Lawrence’s LaVera Pohl Collection of German Expressionists serves as a resource. Taught in English. German majors and minors may participate in a two-unit tutorial in which discussions and some course readings will be in German.
Units: 6.
GER 444
German Expressionism in Art and Literature
The course focuses on the two faces of expressionism: its ecstatic missionary aspect and its darker pessimistic side, as both are manifested in poetry, drama, and art. It will show how the missionary aspect was perversely appropriated by the Nazis, who distorted Nietzsche’s “Übermensch” and declared expressionist art “degenerate.” Lawrence’s LaVera Pohl Collection of German Expressionists serves as a resource. Taught in German.
Units: 6.
Prerequisite: GER 312 or consent of the instructor
GER 446
“Ideal Immigrants”? The German Experience in America
This course explores what it used to mean to be German in the United States and what it means today: bratwurst, beer, and Oktoberfest. Students will consider issues raised by 19th-century immigration that still reverberate in Germany and America: cultural pluralism vs. assimilation, linguistic diversity vs. single national languages, citizenship vs. “guest” workers. Taught in German.
Units: 6.
Prerequisite: GER 312 or consent of instructor
Also listed as Ethnic Studies 381
GER 447
Migrants and German Culture
Despite a long-term refusal to open itself to immigration, Germany has become a nation of immigrants and asylum-seekers. The course focuses on how both literature and films, including works by and about minorities in Germany, have dealt with key cultural phenomena: multiculturalism, diversity, acculturation, assimilation, “majority culture,” and parallel societies.
Units: 6.
Prerequisite: GER 312 or consent of the instructor
Also listed as Ethnic Studies 382, Film Studies 447
GER 449
Nature and the Environment in German Literature (in English)
This course examines the literary, philosophical, and sociological history of ecological issues in Germany. Students investigate the formulation of the specifically German concept of nature and study the roles of Romanticism and of the early 20th-century youth movement in shaping contemporary environmental debates. Taught in English. German majors and minors may participate in a two-unit tutorial in which discussions and some course readings will be in German.
Units: 6.
Also listed as Environmental Studies 449
GER 543
Studies in 20th-Century Literature and Culture
This course explores various themes in 20th-century culture, most importantly the impact of modernity on the German imagination. Possible topics include the rise of Expressionism and Dada, art and culture of the Weimar Republic, the development of popular and middlebrow culture, Nazi aesthetics, the art and culture of the 1950s and 1960s, and literature in divided Germany.
Topic for Fall 2012: Germany's "Others" -- Gender, Ethnicity and Sexuality in the 20th CenturyIn this topics course, we will investigate how “Germanness” is constructed against its imagination of the “other.” We will examine the cultural representation of otherness and difference in 20th-century German culture as a way of understanding German identity as well as specific social and aesthetic crises. We will deal with a variety of different kinds of “texts”, such as films, novellas, paintings, science fiction, and music. Some of the primary materials we will discuss are Thomas Mann's “Tod in Venedig;” the drama “Draußen vor der Tür;” a hard-boiled detective novel; West German
Heimatfilm; an East German short story about becoming another gender, and
Lustmord paintings by Otto Dix and Georg Grosz.
Units: 6.
Prerequisite: GER 312 or consent of instructor
GER 544
Studies in Contemporary Literature and Culture
This course deals with current cultural, economic, political, and social issues in Germany, Austria, and Switzerland. Topics include the ongoing process of German unification, the situation of women and minorities, reckoning with the Nazi past, and new developments in German literature.
Units: 6.
Prerequisite: GER 312 or consent of instructor
GER 552
The Devil’s Pact
Goethe’s
Faust remains the centerpiece in this examination of the Faust legend, but its context includes both Goethe’s predecessors and more recent versions of the Faust story in literature, music, and film. This course pays particular attention to the decades-long development of Goethe’s text and the place
Faust occupies in German culture. Taught in German.
Units: 6.
Prerequisite: GER 312 or consent of instructor
GER 590
Tutorial Studies in German
Individual study arranged and carried out in close consultation with an instructor.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
GER 591
Directed Study in German
Directed study follows a syllabus set primarily by the instructor to meet the needs or interests of an individual student or small group of students. The main goal of directed study is knowledge or skill acquisition, not research or creative work.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
GER 595
Internship in German
An opportunity for students to apply their German language skills in business, governement, and the non-profit sector on the regional, national, and international level. Arranged in collaboration with and supervised by a member of the department. Includes readings, discussion, report, and/or portfolio. Advance consultation and application required.
Units: 2 OR 3.
Prerequisite: Counter Registration Required.
GER 599
Independent Study in German
Advanced research on a topic of the student’s choice, arranged in consultation with the department. Students considering an honors project should register for this course.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
GER 600
Senior Seminar
Students and the instructor decide in advance on a specific topic or common theme. They read and discuss texts at the beginning of the term. Students then formulate their own projects, which may take them in a direction of their own choosing (literature, history, music, art, etc.).
Units: 6.
Prerequisite: Declared major in German
GER 690
Tutorial Studies in German
Individual study arranged and carried out in close consultation with an instructor.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
GER 691
Directed Study in German
Directed study follows a syllabus set primarily by the instructor to meet the needs or interests of an individual student or small group of students. The main goal of directed study is knowledge or skill acquisition, not research or creative work.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
GER 695
Internship in German
An opportunity for students to apply their German language skills in business, governement, and the non-profit sector on the regional, national, and international level. Arranged in collaboration with and supervised by a member of the department. Includes readings, discussion, report, and/or portfolio. Advance consultation and application required.
Units: 2 OR 3.
Prerequisite: Counter Registration Required.
GER 699
Independent Study in German
Advanced research on a topic of the student’s choice, arranged in consultation with the department. Students considering an honors project should register for this course.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
