Music Performance Course Descriptions

Directed study follows a syllabus set primarily by the instructor to meet the needs or interests of an individual student or small group of students. The main goal of directed study is knowledge or skill acquisition, not research or creative work. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor

An experience-based project in music developed in consultation with a designated supervisor and a conservatory faculty member, comprising a work component and an academic component. The academic component of the internship, carried out under the supervision of the faculty member, may include readings related to the substance of the internship, discussions with the faculty member, and a written report or other culminating project appropriate to the discipline. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor

Sight-reading, keyboard harmony, transposition, improvisation, technique, and selected repertoire. Students must demonstrate proficiency at each level before advancing to the next level. Completion of MURP 203 or demonstrated equivalent required of all Bachelor of Music degree candidates and Bachelor of Arts degree candidates with a major in music. Audition for placement required. 1 unit per term. Note: Required in the freshman year of all Bachelor of Music degree students whose performance area is not a keyboard instrument. BKS grades are factored into grade-point averages, but credit does not apply toward requirements for the Bachelor of Music degree. BKS must be completed successfully by the end of the sophomore year. (Music majors and minors are registered for BKS until the requirement has been completed.) Students who do not complete requirements in four terms of study are charged a fee of $75 in each successive term until all requirements are met.

Sight-reading, keyboard harmony, transposition, improvisation, technique, and selected repertoire. Students must demonstrate proficiency at each level before advancing to the next level. Completion of MURP 203 or demonstrated equivalent required of all Bachelor of Music degree candidates and Bachelor of Arts degree candidates with a major in music. Audition for placement required. 1 unit per term. Note: Required in the freshman year of all Bachelor of Music degree students whose performance area is not a keyboard instrument. BKS grades are factored into grade-point averages, but credit does not apply toward requirements for the Bachelor of Music degree. BKS must be completed successfully by the end of the sophomore year. (Music majors and minors are registered for BKS until the requirement has been completed.) Students who do not complete requirements in four terms of study are charged a fee of $75 in each successive term until all requirements are met.

Sight-reading, keyboard harmony, transposition, improvisation, technique, and selected repertoire. Students must demonstrate proficiency at each level before advancing to the next level. Completion of MURP 203 or demonstrated equivalent required of all Bachelor of Music degree candidates and Bachelor of Arts degree candidates with a major in music. Audition for placement required. 1 unit per term. Note: Required in the freshman year of all Bachelor of Music degree students whose performance area is not a keyboard instrument. BKS grades are factored into grade-point averages, but credit does not apply toward requirements for the Bachelor of Music degree. BKS must be completed successfully by the end of the sophomore year. (Music majors and minors are registered for BKS until the requirement has been completed.) Students who do not complete requirements in four terms of study are charged a fee of $75 in each successive term until all requirements are met.

An upper-level keyboard proficiency course for students enrolling in any music education emphasis that includes general music. Students will develop a comfort level at the piano so it can be used as a teaching tool in the classroom. Main topics include vocal warm-ups, improvisation, creating and transposing accompaniments, reading three-part scores and teaching from the keyboard. PREREQUISITES: MURP 203 or equivalent

An orientation class with flexible content that includes strategies and resources for the college student beginning the study of voice. PREREQUISITES: Concurrent registration in voice lessons

An introduction to English singing diction, including identification of problematic American regionalisms and basic elements of English poetics. The International Phonetic Alphabet is learned as a tool for work in this and subsequent singing diction classes. PREREQUISITES: Concurrent registration in voice lessons

An introduction to Italian singing diction with special attention given to sounds problematic for English speakers. Brief study of the pronunciation of ecclesiastical Latin. PREREQUISITES: MURP 272 English diction or permission of instructor.

An introduction to the pronunciation of written German for the singer. PREREQUISITES: MURP 272 English diction or permission of instructor.

An introduction to French singing diction, with special attention to sounds problematic for English speakers. Expressive use of the language, using appropriate mélodie texts, begun. PREREQUISITES: MURP 272 English diction or permission of instructor

An introduction to the performance practices of the pre-Romantic recitative, emphasizing the secco style. Critical listening to a variety of recorded examples and individualized selection, preparation, and coaching of appropriate examples of Baroque and Classic recitatives. PREREQUISITES: Concurrent registration in voice lessons

Course explores and promotes the art of speaking elegantly and knowledgeably about music in the context of live musical performance, and writing engagingly about music for a general audience. Course designed for music majors and other students with strong musical background and interest in interactive concerts and other public programs. PREREQUISITES: Major in music or consent of instructor

Development of functional keyboard skills. Sight-reading, score-reading, transposition, keyboard harmony, playing by ear, improvisation, and conducting from the keyboard. FKS grades are factored into grade-point averages, but credit does not apply toward requirements for the Bachelor of Music degree.

Development of functional keyboard skills. Sight-reading, score-reading, transposition, keyboard harmony, playing by ear, improvisation, and conducting from the keyboard. FKS grades are factored into grade-point averages, but credit does not apply toward requirements for the Bachelor of Music degree.

Study of intervals, chord construction, and voice leading, using exercises and examples from the standard guitar repertoire. Includes sight-reading, realizing figured bass and harmonizing melodies. PREREQUISITES: Sophomore standing

A study of the guitar and its music from 1500 to present. This course examines the physical evolution of the instrument and surveys the important performers and composers for the guitar and other plucked instruments. Includes readings, listening, analysis, performance, transcription and written assignments. PREREQUISITES: Sophomore standing

An introduction to jazz piano voicings, basic piano comping techniques, and the role of the keyboard in the jazz rhythm section. Designed to accommodate upperclass students who have been admitted to the Bachelor of Music degree program with an emphasis in jazz studies, sophomore Bachelor of Music students planning to apply for the emphasis in jazz studies, and experienced student jazz performers with consent of instructor. PREREQUISITES: MUJI 350 or MUTH 301; MURP 203 or MURP 302

An opera/song performance course that develops the fundamental tools to create on stage. This term concentrates on basic acting techniques beginning with spoken word and then transferring those skills to intoned speech (song). These building blocks include understanding and breaking down a script, navigating the stage and movement on it, creating and motivating character choices, response to your fellow performers, honesty on-stage, concentration, imagination and commitment to the script, the environment and your character. PREREQUISITES: Two terms of MUIN 303 and instructor approval

An opera/song performance course that develops the fundamental tools to create on stage. This term concentrates on expanding the techniques from the previous term and on developing a stronger sense of ensemble work. Viewpoints and Theatrical Composition will be the main thrust of the exploration, using the current song and aria repertoire of the individual student. PREREQUISITES: MURP 361 or equivalent

Advanced study arranged and carried out under the direction of an instructor. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor.

Directed study follows a syllabus set primarily by the instructor to meet the needs or interests of an individual student or small group of students. The main goal of directed study is knowledge or skill acquisition, not research or creative work. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor

An experience-based project in music developed in consultation with a designated supervisor and a conservatory faculty member, comprising a work component and an academic component. The academic component of the internship, carried out under the supervision of the faculty member, may include readings related to the substance of the internship, discussions with the faculty member, and a written report or other culminating project appropriate to the discipline. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor

Students considering an honors project should register for independent study for one or more terms.

This course is part of the Lawrence Francophone Seminar in which students study in French-speaking West Africa for ten weeks. PREREQUISITES: Must be attending the LU Francophone Seminar

Vocal accompanying for the advanced pianist, including art song, opera recitative, and aria. Performances required of all participants.

Instrumental accompanying for the advanced pianist, including duo sonatas and concerto orchestral reductions. Performances required of all participants.

A two-term historical survey of the repertoire from 1600 to the present, with consideration of performance practice and broader historical context. Lectures, readings, listening, analysis, performance, and written assignments. PREREQUISITES: Consent of instructor

A two-term historical survey of the repertoire from 1600 to the present, with consideration of performance practice and broader historical context. Lectures, readings, listening, analysis, performance, and written assignments. PREREQUISITES: MUPR 451

An introductory survey of the history and literature of the solo singer from antiquity to the present. PREREQUISITES: Junior standing or consent of instructor

A general survey of woodwind chamber music ensembles and music from the classical period to the current day, concentrating on the wind quintet, but also including other ensembles that feature at least one woodwind instrument. PREREQUISITES: Junior standing

Advanced study arranged and carried out under the direction of an instructor. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor.

Directed study follows a syllabus set primarily by the instructor to meet the needs or interests of an individual student or small group of students. The main goal of directed study is knowledge or skill acquisition, not research or creative work. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor

An experience-based project in music developed in consultation with a designated supervisor and a conservatory faculty member, comprising a work component and an academic component. The academic component of the internship, carried out under the supervision of the faculty member, may include readings related to the substance of the internship, discussions with the faculty member, and a written report or other culminating project appropriate to the discipline. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor

Students considering an honors project should register for independent study for one or more terms. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor.

Advanced study arranged and carried out under the direction of an instructor. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor.

Directed study follows a syllabus set primarily by the instructor to meet the needs or interests of an individual student or small group of students. The main goal of directed study is knowledge or skill acquisition, not research or creative work. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor

An experience-based project in music developed in consultation with a designated supervisor and a conservatory faculty member, comprising a work component and an academic component. The academic component of the internship, carried out under the supervision of the faculty member, may include readings related to the substance of the internship, discussions with the faculty member, and a written report or other culminating project appropriate to the discipline. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor

Students considering an honors project should register for independent study for one or more terms. PREREQUISITES: To register student must complete the Student Initiated Course Form with consultation of supervising instructor.