The Bel Canto curriculum explores historical, theoretical, and cultural aspects of a wide range of repertoire for treble and women's choirs. Bel Canto singers prepare music for multiple performances per year, including both the fall and spring Girl Choir concerts. Bel Canto was recently awarded Second Place in the national American Prize competition, has been invited to perform at several state and regional conventions of choral conductors, and has appeared as the guest artist with the Monteverdi Master Chorale (Stevens Point), St. Marys Youth Choir (Ontario, Canada), Viking Choral Festival, newVoices (formerly White Heron Chorale), Makaroff Youth Ballet, Lawrence University choirs and orchestra, and for the Sing Out Loud! and PIPFest women's choir festivals in Minnesota. They have appeared on Wisconsin Public Television and have a performance permanently linked to the WPT website. Auditions for Bel Canto are held in April for the following academic year.
- Academy and Girl Choir apparel is available for purchase online now through November 2.
- SAVE THE DATE! We have a new performance: Sunday, December 3rd from 8:15-11:15 am at the Fox Valley Unitarian Universalist Fellowship. Girl Choirs sing here regularly as a way to thank the congregation for their donation of rehearsal space to the Academy of Music. This particular date is going to be a service about Mary (and women), and so I am particularly thrilled that we can be a contributing part. We'll talk more details when we are together next!
- Homework assigned Sunday, Oct 15:
- OVERALL - begin to really think about your tone/sound as you sing. Inhale on the vowels. Keep your mouth posture tall inside. Keep your throat open.
- Re-read the short article linked under "Rehearsals Resume September 17" below. Be sure you have (or rewrite) your thoughts about what your personal Sermonette would be.
- Work on memorizing the rests and entrances of Ave Maria. Although I think this tempo is too fast, you can sing with this recording starting at about the 1:00 mark to practice holding your part in the canon.
- Solidify all of "Suscepit Israel" on the text. We made GREAT progress this week!
- Mountain Nights - review and solidify the middle (4 part) section (measures 28-44). Soprano 1 and Alto 2 be careful of the E-flats in your part. Soprano 2 (top notes of S2 line) be careful in measures 36-41, especially regarding the B-naturals. Alto 1 (bottom notes of S2 line) be sure to count as you move in the whole notes, then watch the E-natural and A-flat in measures 38 and 39.
- Learn the notes and rhythms (you have read these patterns in rehearsal as warm-ups!) from 16-32. Note we are in 5 parts; if you sang the top notes of the Alto 1 line in measures 9-15, you sing the bottom note of the Sop 2 line for this section.
- Solidify your notes from measure 33-51 in Mata. If you are comfortable with the Spanish, feel free to sing on that. Otherwise, use "pa" as a neutral syllable.
- If you are interested in the solo of "Mata" start looking at it this week. :)
- Homework assigned Sunday, Oct 8:
- Really memorize "Ave Maria." Pay attention to tricky spots with rests, similar but slightly different phrases, and the start of each line.
- Reinforce all of the Bach ("Suscepit Israel") so that you can comfortably sing your part on "doo" from beginning to end.
- Memorize "Sermonette"
- Reinforce notes (4 part - same as what you sing in "Ave Maria") in "Mata" from measures 33-43 (6/4 time)
- Advance work that will make next week easier:
- Look at your part in Mountain Nights (mm 28-44, 4 parts - "Ave Maria" split), especially (but not only) if you are a S1 or A2
- Familiarize yourself with the rhythms for every part (clapping is fine) in measures 16-32
Homework assigned Sunday, Oct 1 - Click to view assignments
- Memorize "Ave Maria" by next week. Be careful of that opening phrase. :)
- Review the harmony parts in "Sermonette;" be prepared to sing the piece all the way through, with complete accuracy, next week.
- Review your part (notes and rhythms) in "Mata" from mearues 9-15. Remember: 5 part split (same split as Mountain Nights) with group 1 on Sop 1 line, group 2 on Sop 2 line, group 3 on top of A 1 line, group 4 on bottom of A 1 line, and group 5 on A 2 line. (Important: these assignments will not be the same throughout the entire piece.)
- Review the beginning and end of "Mountain Nights" and be ready to sing with accuracy
- Review "Suscepit Israel" through the middle of page 2 (what we learned last week) so we don't backslide
- Look ahead in "Suscepit Israel" and be ready to answer the following questions regarding the middle of the second page through the end of the piece:
- Do you see any rhythmic ideas that repeat - in your part or in other parts?
- Do these patterns have any melodic shape that is consistent?
- Do you see any sequences in your vocal line?
- Speculate: what might be the most difficult thing about your vocal part in this section (notes, rhythms, patterns, leaps, etc)?
Homework assigned Sunday, Sept 24 - Click to view assignments
- Girl Choir t-shirts are available only one more week - I forgot to remind you! See link below.
- Review first phrase of each line to "Ave Maria," make sure the intervals you are singing are correct. Sing on text.
- Review your notes in "Suscepit Israel" through second page, second system, 1st beat of fourth measure. Use solfege to learn notes, but be prepared to sing it accurately on "loo" by Oct 1. Be aware of patterns (rhythmic and melodic). Sydney - soprano 1
- Look up definitions of harmonic minor and melodic minor (we had some discrepancies!)
- Review your part in Mountain Nights through measure 27; make sure your part is solid. A2 solidify notes/rhythms, S1 solidify quarter note moving patterns and your note of the whole tone scale in the beginning. Learn measure 46-end for Oct 1.
Homework assigned Sunday, Sept 17 - Click to view assignments
- Learn all the notes to "Ave Maria," preferably on solfege
- Experiment with improvising over melody of "Sermonette"
- Learn all of your notes on "Mountain Nights" through measure 27 (Divine is S1 bottom line, Lily is S2 top line); use "loo" as the syllable to sing on
Rehearsals resume on Sunday, September 17 - Click here and complete the following homework for that rehearsal
- Learn the "lead" (melody - top line) of Sermonette. (If you missed the retreat, this was mailed to your home.) -- Please note that this is not the same key that is in the Lambert, Hendricks, and Ross recording, nor the Cannonball Adderley recording.
- Read about what was happening in the United States in and around the year 1956, when "Sermonette" was written
- Riser Schedule: Those of you in YO will not have riser setup duty (you will be scheduled for strike duty only), but are still expected to arrive to Bel Canto in time to begin at 5:45 pm weekly.
- 2017-18 Calendar - Click the button below to download and print the yearly calendar for Bel Canto. This calendar was updated on 9/1/17