MARKETPLACE OF IDEAS:
CULTURE JAMMING
IN THE VISUAL ARTS

Marketplace of Ideas: Culture Jamming in the Visual Arts

April 4 - May 17, 1998

An exhibition of work by artists who appropriate images from popular culture to subvert the manipulation of identity in an age of over-consumption.

Featuring
Nayland Blake, Ellen Cantor, Enrique Chagoya, William Cotton, Tatsuya McCoy, Joyce Pensato, Liliana Porter, and Roger Shimomura

And Disneyland After Dark, an installation by Peter Fend and Kate Glazer, Denise Hawrysio, Frans Jacobi, Joachim Koester, and Soren Martinsen.

Opening Reception
Friday, April 3, 1998
7:00 - 9:00 p.m.


Wriston Art Center Galleries
613 East College Avenue
Appleton, Wisconsin

Gallery Hours
Tuesday - Friday
10:00 a.m. - 4:00 p.m.
Saturday and Sunday
12:00 noon - 4:00 p.m.


For more information please telephone: 920-832-6621

This exhibition is free and open to the public, and the galleries are handicapped accesible.

Lectures

Friday, April 3, 1998

6:00 p.m., in galleries

Gallery talk by Frans Jacobi and Nadine Wasserman


Monday, April 13, 1998
7:00 p.m., Wriston Art Center Auditorium

If You've Seen One, You've Seen the Mall: Making Sense of America's Shopping Centers

James Farrell, professor of history and director of American Studies, St. Olaf College, Northfield, Minnesota. Professor Farrell was the first O.C. and Patricia Boldt Distinguished Teaching Professor in the Humanities at St. Olaf.


Monday, April 27, 1998
7:00 p.m., Wriston Art Center Auditorium

Haute Coupure: Responsibility and Resistance to Pop Culture

Scott Schaffer, Ph.D. candidate, social and political thought, York University, Toronto

Films

Tuesday, April 7, 1998

7:00 p.m., Wriston Art Center Auditorium

Spin
by Brian Springer (1995)

Pirated satellite feeds and TV out-takes appropriated from network satellite feeds unravel the tightly spun fabric of television, a system that silences public debates and furthers the intolerance of anyone outside the pack of journalists, politicians, spin doctors, and televangelists who manufacture the news.


Sonic Outlaws
by Craig Baldwin (1995)

The motto of this fast-paced, often hilarious documentary that examines the changing attitudes towards multi-media plagiarism is "Copyright Infringement is Your Best Entertainment Value." This film presents a collage of interviews, illegally "borrowed" samplings, and legal cases, providing examples of each that range from a record company's lawsuit against an independent rock band's satirical samplings to cellular phone scanners to "billboard bandits."


Tuesday, April 14, 1998

7:00 p.m., Wriston Art Center Auditorium

They Live
by John Carpenter (1988)

After finding a pair of glasses, Frank sees his world in a whole new way--as the lenses allow him to see through many illusions. He finds that the human race has been infiltrated by mind-controlling aliens who appear to be normal, upwardly mobile, conservative capitalists. The story follows him as he tries to prove what he sees, while being chased by both the police and the aliens.


Return to Wriston 1997-98 Exhibitions
revised: 18-Mar-1998
peter.j.gilbert@lawrence.edu