Utagawa Kuniteru
(active 1830-1850)

Utagawa Kuniteru was born in Edo, and went by many names.  He was called Sadashige until 1844, then Kunitsuna II, and was known to also sign his work as Ichiyusai.  He was a pupil of Kunisada and Toyokuni.  Following his training he worked in the tradition of the Utagawa school, therefore he took up that name as well.  He produced prints of a wide variety of subjects, including many showing Western influences on Japan.  These represent the ongoing changes in Japan from the old Edo to the Meiji era, illustrating the beginning of industrialization in Japan.  His main output of prints took the form of book illustrations and single-sheet ukiyo-e.

Kanadehon Chushingur Act IX: Scene at Oboshi Yuranosuke's Home in Yamashina, Kyoto, ca. 1850

From the series Kanadehon Chushingura (Model of the Kana Syllabary: The Forty-seven Loyal Retainers).

Tonase and her daughter Konami (far left) arrive to Yuranosuke's home in Yamashina since Konami is to be married to Yuranosuke's son Rikiya. Yuranosuke's wife Oishi (lying on the floor) refuses the marriage between Rikiya and Konami because Kakogawa Honzo had bribed Moronao. Honzo also arrives to Yamashina. He stands behind Oishi and purposely insults Rikiya (far right). Rikiya is thus forced to stab Honzo. The dying Honzo there showing his loyalty by presenting a detailed plan of Moronao's mansion as a farewell gift to Oishi. He also entrusts his daughter into Oishi's care.

Publisher: Izumiya Ichibei, Edo