Kogyo Tsukioka (1869-1927) was born under the name of Hanyu Sadanosuke in Tokyo.
At 15 his mother married Tsukioka Yoshitoshi, the famous ukiyo-e printmaker
and from his stepfather he received his new family name Tsukioka as well as
lessons in printmaking. Later Kygoyo became the student of another
well-known print artist of the Meiji period, Ogata Gekko, receiving a new
first name from his teacher - Kogyo.
For the most part, Kogyo Tsukioka made images depicting the Noh Theater although he
did make a few prints of nature and designs illustrating the Russo-Japanese
war. It is his series of old traditional Japanese Noh theater prints
published by Matsuki Heikichi that made him famous.
Sticking with the more refined nature of Noh theater, Tsukioka’s prints show an actor
or a group of actors against a plain background. In this way, just as in
the actual viewing of the play, the visual attraction for the spectators are
the lavish, colorful costumes and the poses of the actors. A typical print
by the artist looks almost as if it were an ink drawing, painting or
watercolor which required great skill of the engravers and printers.
Suutai (Lyrical No Song), 1900
Omu Komachi (Parrot Komachi), 1900-1905
Rinzo (Prayer Wheel), 1901
Futari Okina (Two Ancient Men), 1901
Kiso (The Warrior Kiso Yoshinaka), 1897
Daibutsu Kuyo (The Mass for the Great Buddha), 1900
Shichikiochi (The Escape of the Seven Warriors), 1900
Ritual Salutation of a No Performance Displaying an Okina Mask, 1900
Series: Nogaku Zue (Pictures of No Performance); Several
chanters in crested ceremonial dress are seated on the stage. Each
participant sings a portion of a no song without the accompaniment of
music or dance.
Series: Nogaku Hyakuban (One Hundred
No Dramas). The legendary theme of the poetess Ono no Komachi who lived
in the 9th century. Komachi is supposed to have been very brilliant and
beautiful. She was skilled in the art of conversation and was ingenious
in her poetry. The emperor Yozei (868-949 A.D.) was fond of poetry. He
sent his counsellor to Komachi with a poem hoping to receive a reply.
Komachi changed a single syllable of the emperor's poem. She
substituted the interogative word ya with the affirmative word zo and
sent it back as a "parrot-like" answer. The legend was adapted to a no
play called "Omu Komachi." This no play is categorized as a woman play
and is attributed to Zeami.
Series: Nagaku Zue
(Pictures of No Performances). Rinzo belongs to the category of god or
demon plays. It was authored by Kanze Yajiro Nagatoshi (1488-1541). The
play is based upon the history of a prayer wheel housed at Kitano Tenman
shrine, Kyoto.
Series: Nogaku Zue (Pictures of No
Performances). Okina (The Ancient Man), also called Shikisanba, is the
most sacred ceremonial dance performance of the no repertire. It can be
described as a ritual salutation which solemn celebrates the goodness of
the gods who offer peaceful reigns and rich harvests. It is often
performed at the beginning of a no program, at New Year's or at
important celebrative occasions as well as at Shinto festivals. Okin is
performed by three old men (Chichi-no-jo, Okina-omote, and Sanbaso)
dancing to the accompaniment of an utai (sacred song) called
shinka (god song). This print shows a variation of Okina showing two
actors in the role of Okina-omote.
Series: Nagaku Zue (Pictures of No Performances). The play belongs to
the category of miscellaneous no plays. The author is unknown. The warrior
Minamoto Yoshinaka (1154-84) was raised in the mountainous district of Kiso,
Shinano Province; hence his name Kiso Yoshinaka. Yoshinaka gathered
troops in Shinano and marched against the Heike clan. Prior to his
departure to the front, he celebrated and made a vow to the God of war
honored at Hachiman shrine.
Series: Nogaku Zue (Pictures of No Performance). The play belongs
to the category of miscellanious no plays. The author is unknown. The legend
is based upon an event in the Heike Monogatari (Tales of Heike Clan). Taira
no Kagekiyo attempts to kill Minamoto no Yoritomo (1147-99) when
Yoritomo performs the mass for the great Buddha in Nara in
1196.
Series: Nogaku Zue (Pictures of No Performance).
The no play Shichikiochi belongs to the catagory of miscellaneous plays.
It is based on the legend of how Minamoto Yoritomo, defeated at the
battle of Ishibashi mountain, escapes by boat to Awa province with seven
warriors from Manazuru.
Series: Nogaku Zue (Pictures of
No Performance). No play performances begin with mask presentation; the
mask symbolizes the presence of a god. Before the performance of Okina
(An Old Man) the mask to be worn is displayed and honored with ritual
salutations.
Suutai (Lyrical No Song), 1900
Series: Nogaku Zue (Pictures of No Performance); Several chanters in
crested ceremonial dress are seated on the stage. Each participant sings
a portion of a no song without the accompaniment of music or
dance.
Ukiyo-e
Artists
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