| Subject | Course Number | Long Course Title | Description |
| MUCA | 100 | Fundamentals of Composition | An introduction to the craft of music composition open to students with some background in music. Taught as a small class, the course will introduce basic compositional techniques to students with limited background in composition. Individualized compositional projects will be complemented by group listening and analysis. Does not satisfy any requirement for the theory/composition major. |
| MUCA | 190 | Tutorial Studies in Music Composition and Arranging | |
| MUCA | 195 | Intership in Music Composition and Arranging | An experience-based project in music developed in consultation with a designated supervisor and a conservatory faculty member, comprising a work component and an academic component. The academic component of the internship, carried out under the supervision of the faculty member, may include readings related to the substance of the internship, discussions with the faculty member, and a written report or other culminating project appropriate to the discipline. |
| MUCA | 199 | Independent Study in Music Composition and Arranging | Students considering an honors project should register for independent study for one or more terms. |
| MUCA | 210 | Improvisation | An introduction to improvisation for students in all music disciplines. Exploration of the concepts of improvisation in the varied settings of ethnic/world music, jazz, and contemporary classical music. |
| MUCA | 220 | Jazz Improvisation I | An introduction to the fundamentals of jazz improvisation. Exploration of jazz repertoire through scale/chord/mode associations, rhythmic and linear development, and solo transcription/analysis. |
| MUCA | 221 | Jazz Improvisation II | Continued exploration of jazz repertoire using more complex forms and progressions, intermediate linear concepts, and solo transcription/analysis. |
| MUCA | 250 | Introductory Composition | Composition of small forms in various media such as trios and quartets for strings, brass, or winds; art songs; and piano music. Theory/composition majors must complete a minimum of two terms. May be repeated for credit. |
| MUCA | 300 | Techniques of the Contemporary Composer | Development of the craft of the contemporary composer through selected topics in pitch, rhythm, and form. The course comprises analysis of major compositional techniques of contemporary music in tandem with directed assignments in composition. |
| MUCA | 331 | Jazz Composition and Arranging I | Essentials of composing jazz music and writing for the jazz small group. Fundamentals of notation, orchestration, rhythmic embellishment, melodic development, jazz harmony, vertical sonorities, basic forms, 2-5 part densities. |
| MUCA | 332 | Jazz Composition and Arranging II | Intermediate composition and arranging concepts for expanded jazz ensembles. |
| MUCA | 333 | Jazz Composition and Arranging III | Advanced jazz writing projects. |
| MUCA | 350 | Intermediate Composition | A continuation of MUCA 250, with emphasis on larger forms. Theory/composition majors must complete a minimum of two terms. May be repeated for credit. |
| MUCA | 390 | Tutorial Studies in Music Composition and Arranging | |
| MUCA | 395 | Internship in Music Composition and Arranging | An experience-based project in music developed in consultation with a designated supervisor and a conservatory faculty member, comprising a work component and an academic component. The academic component of the internship, carried out under the supervision of the faculty member, may include readings related to the substance of the internship, discussions with the faculty member, and a written report or other culminating project appropriate to the discipline. |
| MUCA | 399 | Independent Study in Music Composition and Arranging | Students considering an honors project should register for independent study for one or more terms. |
| MUCA | 400 | Topics in Music Composition | Selected topics in contemporary music, intended for theory/composition majors and other students interested in music composition. |
| MUCA | 530 | Advanced Jazz Writing Skills | A continuation of MUCA 331, 332, 333 through private instruction. May be repeated for credit. |
| MUCA | 550 | Advanced Composition | Composition in various forms and for various media, culminating in at least one work for large ensemble. Theory/composition majors must complete a minimum of two terms. May be repeated for credit. |
| MUCA | 590 | Tutorial Studies in Music Composition and Arranging | |
| MUCA | 595 | Internship in Music Composition and Arranging | An experience-based project in music developed in consultation with a designated supervisor and a conservatory faculty member, comprising a work component and an academic component. The academic component of the internship, carried out under the supervision of the faculty member, may include readings related to the substance of the internship, discussions with the faculty member, and a written report or other culminating project appropriate to the discipline. |
| MUCA | 599 | Independent Study in Music Composition and Arranging | Students considering an honors project should register for independent study for one or more terms. |
| MUCA | 690 | Tutorial Studies in Music Composition and Arranging | |
| MUCA | 695 | Internship in Music Composition and Arranging | An experience-based project in music developed in consultation with a designated supervisor and a conservatory faculty member, comprising a work component and an academic component. The academic component of the internship, carried out under the supervision of the faculty member, may include readings related to the substance of the internship, discussions with the faculty member, and a written report or other culminating project appropriate to the discipline. |
| MUCA | 699 | Independent Study in Music Composition and Arranging | Students considering an honors project should register for independent study for one or more terms. |