English 60A: Contemporary Critical Theory

HANDOUT ON FREUD AND PSYCHOANAYLSIS

What's here?

Assignment for next time

Sigmund Freud, Interpretation of Dreams, chapter VI ("The Dream- Work"), sections A-C.

Key dates for Freud

Key ideas from earlier sections of Interpretation of Dreams

We'll be reading excerpts from fairly late in The Interpretation of Dreams, focusing on passages that tell how the "latent content" of a dream is converted into its "manifest content." This conversion happens by way of two distinct psychological processes: "condensation" and "displacement." To understand all of this, you'll need to know about a few of the ideas presented in earlier sections of the book:

Possible discussion questions

1. I'm guessing that although you've heard about Freud, you may never have read much of his stuff. What did you expect from him? Did he ever do or say anything that surprised you? Did these readings confirm or change your earlier opinions of Freud?

2. Are you flummoxed by Freud's vocabulary? What's the difference between "dream-content," "dream-thoughts," and the "dream-work"? What about "condensation" and "displacement"? How are those processes different?

3. At the very beginning of our reading, Freud introduces the crucial distinction between the "manifest" and "latent" content of a dream. To what extent might this distinction be compared or likened to Marx's distinction between base and superstructure? Do you see any other possible connections between Marx and Freud?

4. In choosing a selection for the syllabus, I was careful to pick an excerpt in which you'd actually see Freud engaged in the act of interpreting dreams. Are his interpretations persuasive or intriguing? Where are they especially ingenious--and where do they strike you as contrived?

5. In what ways might the interpretation of dreams (as conceived by Freud) serve as the basis for the interpretation of literary or artistic works? Are the processes or strategies of a dreamer anything like those of the artist?

Two final thoughts from Freud

1. "There can be no doubt that the connections between our typical dreams and fairy tales and the material of other kinds of creative writing are neither few nor accidental." (Interpretation of Dreams, chapter V)

2. "Just as all neurotic symptoms, and, for that matter, dreams, are capable of being 'over-interpreted' and indeed need to be, if they are to be fully understood, so all generally creative writings are the product of more than a single motive and more than a single impulse in the poet's mind, and are open to more than a single interpretation." (Interpretation of Dreams, chapter V)

What next?


revised September 26, 1997
mail to Tim Spurgin