| Kathy Abromeit | Research on Baroque composer Ana Bon, including realizing, editing and performing, with added ornaments, several flute sonatas by Bon |
| Ruth Balza | Transcribing (and putting into Finale format) from a full score, a piano accompaniment to Robert Beaser's concerto, Song of the Bells |
| Melanie Kujava Griesmer | Comparing and evaluating the warm-up routines of Marcel Moyse and Trevor Wye |
| Paula Gudmundson | Tracking down and collating information for every excerpt in Moyse's Tone Development Through Interpretation, including text and context of each aria, and recommended recordings (recipient of ACM Minorities in Academic Careers grant) |
| Corinne Hwang | Schenkerian analysis of Bach's flute Partita, with a performance demonstrating the linear connections |
| Sarah Kelly | The Musician's Body: reading and summarizing several texts dealing with injury prevention, and physical and psychological approach to the instrument; presentation to the flute class, annotated bibliography of resources |
