Wednesday, Oct. 21, 2015
Reception: 5:30 p.m.
Performance: 6:30 p.m.
322 W Armitage Ave.
Chicago, IL 60614
Tickets: $25 (includes refreshments)
Lawrence University boasts a world-renowned conservatory of music within a nationally ranked liberal arts college. Conservatory professors, outstanding musicians in their own right, perform regularly throughout the country. Join them at Park West in Chicago for a memorable night of jazz.
Bill Carrothers, piano
José Encarnación, saxophone
Dane Richeson, percussion
Mark Urness, bass
Lecturer of music – jazz piano
Bill Carrothers has been a professional pianist for 31 years. He has played many venues throughout the United States and Europe including the Village Gate, Knitting Factory, Birdland, Blues Alley, New Morning (Paris), the Audi Jazz Festival in Brussels, the Nevers Jazz Festival (where he shared the bill with Abbey Lincoln), the Montreal Jazz Festival, Jazz Middelheim and the Marciac Festival in France. In October 2000, Carrothers headlined the prestigious Rising Star Tour throughout Germany, Austria and Switzerland. More recently, Carrothers headlined a week with his trio at the famed Village Vanguard in New York City as well as two solo performances at the Gilmore Keyboard Festival.
He has been a leader on 20 recordings, all of which have received critical acclaim. His sideman credits have included some of the greatest names in jazz including Scott Colley, Buddy DeFranco, Dave Douglas, Curtis Fuller, Eric Gravatt, Drew Gress, Tim Hagans, Billy Hart, Billy Higgins, Ari Hoenig, Freddie Hubbard, Lee Konitz, James Moody, Gary Peacock, Dewey Redman, Charlie Rouse, James Spaulding, Bill Stewart, Ben Street, Ira Sullivan, Toots Thielemans and Benny Wallace.
Assistant professor of music and director of jazz studies
José Encarnación leads the jazz improvisation classes, coaches jazz small groups, teaches applied jazz saxophone and coordinates the jazz performance program at the Lawrence University Conservatory of Music. He studied saxophone, flute and clarinet at the Free School of Music in San Juan, Puerto Rico, completed a Bachelor of Music at the Berklee College of Music in Boston where he graduated magna cum laude, and received a Master of Music from the Eastman School of Music (including the 2002 Schirmer Prize in Jazz Performance). He previously served as assistant professor of jazz saxophone at the Eastman School of Music; instructor of saxophone, Latin Jazz Performance Workshop, and Youth Saxology for the Eastman Community School; and as jazz ensemble conductor at the Rochester (N.Y.) School of the Arts.
He has performed jazz, salsa and Latin music with the Bob Mintzer Big Band, the Dave Rivello Ensemble, Gilberto Santarosa, Roberto Rohena, Bobby Valentin, Domingo Quinones, Israel “Cachao” Lopez, Tito Puente, Danilo Perez, Dave Valentin, Giovanni Hidalgo, Batacumbele, Humberto Ramirez and David Sanchez. His pops performances include appearances with the Temptations, Dianne Reeves, Natalie Cole, Doc Severinsen, Lou Rawls, New York Voices, Brasilia, Ann Hampton Calloway and the symphony orchestras of Milwaukee, Rochester and Green Bay
Professor of music
Dane Richeson is professor of music at the Lawrence University Conservatory of Music, where he has been director of percussion studies since 1984. Under the direction of Richeson, the Lawrence University Percussion Ensemble (LUPÉ) has released two critically acclaimed CDs, and been awarded honors by the Wisconsin Music Educators Association and the Percussive Arts Society.
Richeson is recognized as one of the most versatile virtuosi in percussion. Throughout the world he has been featured in such diverse roles as solo marimbist, percussionist in contemporary music settings, world percussion specialist and jazz drummer. Performances have been with such diverse artists as Bobby McFerrin, Gordon Stout, Nancy Zeltsman, Gunther Schuller, Geoff Keezer, Joe Lovano, NDR Big Band of Germany, Roscoe Mitchell, Medeski-Martin-Woods, Kenny Wheeler, Uri Caine and Lyle Mays. He regularly performs with the chamber ensembles CUBE (Chicago), The Bach Dancing and Dynamite Society (Madison, Wis.) and has been a featured marimba artist/teacher at several of the Zeltsman Marimba Festivals, the Ivana Bilic Marimba/Percussion Week in Croatia, and the Central Conservatory Chamber Music Festival in Beijing. Moreover, he has performed at festivals such as Ravinia, North Sea and Montreux Jazz Festivals, and Beijing Music Festival.
Richeson has performed on numerous recordings including works on Blue Note Records, Origin Records, Klavier, Accurate, Mark, Naxos, A-Records, CRI, Albany, Innova and A-440. In addition, Richeson has lived in three distinctly different cultures: Ghana, Africa, studying the music and dance of the Ewe people with master drummer Godwin Agbeli and gyil with Kakraba Lobi; Matanzas, Cuba, where he studied with Afro-Cuban drummer Jesús Alfonzo, musical director of Los Muñiquitos de Matanzas and Daniel Alfonso; Salvador and São Paulo, Brazil, where he studied the drumming traditions of the State of Bahia with Giba Conceicao and choro/MPB styles with Guello. This research was funded in part by the National Endowment for the Arts/Arts International and Lawrence University.
Associate professor of music
Mark Urness is a versatile bassist, composer and educator. His diverse performance experience encompasses orchestral, chamber, jazz, salsa and solo playing. He has served as principal bassist for the Cedar Rapids Opera Theatre and for five seasons was principal bassist for the Cedar Rapids Symphony Orchestra.
From 1999 to 2001 he freelanced in New York City, where he played with Adam Nussbaum, Lew Soloff, Eric Rasmussen and Curtis Fowlkes, among others. He was awarded first prize in the International Society of Bassists Jazz Competition, and performed with Bill Mays and Tim Froncek at the 2001 ISB Convention.
His compositions appear on several recordings, including the Bob Washut Trio’s Songbook, Triptych’s Play Here, and the University of Northern Iowa Jazz Band I’s Northern Exposure. Recent recordings include Mafficked Simulacrum with the University of Iowa’s jazz faculty group, oftEnsemble; a new album with the salsa band Orquesta Alto Maiz; and a project with Iowa City’s eclectic jazz quartet, OddBar.
Prior to his appointment to the faculty of Lawrence University, Urness taught at the University of Iowa, Coe College and the University of Northern Iowa. He received a Master of Music in double bass performance from the University of Cincinnati College-Conservatory of Music, a Bachelor of Arts in music from the University of Northern Iowa, and studied music and computer science at the University of Iowa.