ARHI 100
Survey of Western Art I: Ancient to Medieval
An introductory survey of the art and architecture of the ancient Near East and of Europe from the Prehistoric through the Gothic periods and an introduction to methods of viewing art in its historical and cultural context.
Units: 6.
ART 100
Introduction to Studio Art
An introduction to studio art and the fundamental principles of design. Projects, lectures, readings, class discussions, and critiques examine elements of two-dimensional, three-dimensional and time-based design. Historic and contemporary approaches are considered as well as the evolution of technology and the continuum of visual expression. Emphasis is placed on developing the practical and critical thinking skills required in art-making.
Units: 6.
ARHI 102
Survey of Western Art II: Renaissance to Modern
An introductory survey of the art and architecture of Europe and North America from the Renaissance to the Modern era. Particular emphasis on viewing works of art and architecture within their historical and cultural context.
Units: 6.
ART 110
Introduction to Drawing
An introduction to drawing, emphasizing the development of the observational and critical thinking skills important to art-making. Class work is based on exercises that strengthen visual research capabilities, drawing abilities, and mark-making techniques with a variety of tools. Assigned projects address fundamental technical and conceptual problems suggested by historical and contemporary artistic practice. Lectures, readings, discussions, and critiques explore elements of concept and design pertinent to drawing as a medium.
Units: 6.
ARHI 191
Directed Study in Art History
Directed study follows a syllabus set primarily by the instructor to meet the needs or interests of an individual student or small group of students. The main goal of directed study is knowledge or skill acquisition, not research or creative work.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
ART 191
Directed Study in Studio Art
Directed study follows a syllabus set primarily by the instructor to meet the needs or interests of an individual student or small group of students. The main goal of directed study is knowledge or skill acquisition, not research or creative work.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
ART 195
Internship in Studio Art
The internship will provide an experience-based learning opportunity to enrich the student's artistic process and growth. It will encourage innovation and resourcefulness while facilitating an entrepreneurial and informed approach to future creative pursuits. Students should expect to gain "real world" experience and professional connections as well as skills and insights they can apply directly to their creative projects in the classroom and beyond. Students will work on an individual basis with a faculty supervisor, internship site supervisor, and the Career Center to design, implement and evaluate their academic experience.
The academic component of the internship includes readings related to the substance of the internship, discussions with the faculty supervisor, and a written report appropriate to the discipline. Course grades are based on this academic work.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
ARHI 200
Archaic and Classical Greek Art
A study of Greek art and architecture to the end of the fourth century B.C. Topics include the great sanctuaries at Olympia, Delphi, and Athens; the development of mythological narrative in sculpture and vase painting; the political and propagandistic function of Greek art; and the beginning of portraiture.
Units: 6.
Prerequisite: ARHI 100 or sophomore standing
Also listed as Classics 340
ART 200
Painting
An introduction to painting as a means of visual expression. Topics include technical and formal principles of painting with an emphasis on conceptual development. Water-based mediums are used to explore color theory, color mixing, brushwork and styling, image surface, composition, and visual communication. Mixed media and experimentation of materials is encouraged to expand beyond traditional painting practices.
Units: 6.
Prerequisite: ART 100 or 110
ARHI 202
From Alexander to Kleopatra: Art of the Hellenistic Age
A study of Greek and Greek-influenced art from the time of Alexander the Great to the Roman conquest of Egypt in 31 B.C. Topics include portraiture and the royal iconography of the Hellenistic rulers, the development of regional styles in sculpture, and the influence of the Romans as patrons.
Units: 6.
Prerequisite: ARHI 100 or sophomore standing
Also listed as Classics 345
ARHI 204
Roman Art
A study of the art and architecture of the Etruscans and the Romans to the end of the Roman empire. Topics include the funerary arts of the Etruscans, the art and archaeology of Pompeii and Herculaneum, developments in imperial portraiture and historical relief, technological innovations in architecture, and the beginnings of Christian art.
Units: 6.
Prerequisite: ARHI 100 or sophomore standing
Also listed as Classics 350
ARHI 210
Early Medieval Art and Architecture
A survey of art and architecture in Europe and the eastern Mediterranean between the fourth and ninth centuries. Topics include Imperial-sponsored Christian art, the development of Byzantine art and architecture, the Celtic artistic tradition of northern Europe, and the flowering of art under the Carolingian emperors.
Units: 6.
Prerequisite: ARHI 100 or sophomore standing
ART 210
Drawing
Exploration of drawing as a contemporary art medium. Emphasis on self-expression and conceptual development. Students will be encouraged to concentrate on the more complex personal and creative aspects of mark-making and pursue a cohesive body of work. Incorporation of mixed media and experimental elements is encouraged for those students who wish to expand the boundaries of traditional drawing media and processes.
Units: 6.
Prerequisite: ART 100 or ART 110
ARHI 211
Splendor & Power: Byzantine Art
Surveys the art and architecture of the Byzantine Empire, including mosaics, metalwork, icons, manuscripts, textiles, and other arts. Emphasizes the transition from classical Roman society, the patronage of Byzantine political figures, the profound importance of religion for the arts, and international contacts, expecially with western Europe and the Islamic world.
Units: 6.
Prerequisite: ARHI 100 or sophomore standing
ARHI 213
Gothic and Northern Renaissance Art
The arts of this period are famous for their beauty and grandeur, from soaring cathedrals to delicate paintings. We will consider these beautiful works alongside historical changes within the cultural, economic, and ideological fabric of society, as well as contemporary theories about social contruction and the nature of objects.
Units: 6.
Prerequisite: ARHI 100 or sophomore standing
ARHI 220
Art of the Italian Renaissance
A study of the art and architecture of Italy from the late 13th century until the early 16th century. Topics include patronage and the art market, the revival and influence of the antique, theories of perspective and design, and changes in the status of the artist.
Units: 6.
Prerequisite: ARHI 102 or sophomore standing
ART 220
Printmaking
An introduction to printmaking including two or more of the following techniques: relief, silk screen, and digital printmaking. There is a strong emphasis on conceptual development with practical application of both traditional and contemporary practices in printmaking. Single and multiple color printing techniques, formal issues, as well as printmaking as a form of visual expression are explored in detail.
Units: 6.
Prerequisite: ART 100 or ART 110
ART 225
Special Topics in Printmaking
This course provides an introduction to specific peripheral processes of printmaking like papermaking, book arts, letterpress printing, and digital printmaking processes and applications. The focus is on research and studio practice in regards to printmaking as an art form with special emphasis on craft and conceptual development. Traditional and contemporary practices in each medium are explored in detail.
Units: 6.
Prerequisite: ART 100 or ART 110
ART 230
Photography
An introduction to traditional black-and-white film photography. 35mm, medium-format, and view camera techniques are covered, along with darkroom instruction on processing film and making silver gelatin prints. Historic and contemporary ideas about photography as a medium are examined in readings, lectures, visiting artist presentations, critiques, demonstrations, and assigned projects.
Units: 6.
Prerequisite: ART 100 or 110
ARHI 240
19th Century Art: From Romanticism to Post-Impressionism
A study of the development of 19th-century European art that traces the emergence of movements such as Romanticism, Realism, and Impressionism. Readings and class discussion consider the impact of political instability, industrialization, imperialism, and the growth of popular culture on the production, style, and presentation of painting and sculpture.
Units: 6.
Prerequisite: ARHI 102 or sophomore standing
ART 240
Digital Processes
An introduction to using digital media to convey artistic concepts. Digital photography, video, book design, and blogging are covered. The evolution of technology, new media theory, contemporary art discourse, and visual culture are explored through lectures, readings, discussions, and projects. Mac-based.
Units: 6.
Prerequisite: ART 100 or ART 110
Also listed as Film Studies 240
ARHI 242
Modern Art: 1900-1960
A study of 20th-century European and American art that traces the emergence of movements such as Cubism, Surrealism, and Abstract Expressionism. The shifting meanings of art, artistic production, and the definition of the term “artist” are considered against the massive political and social changes of the 20th century.
Units: 6.
Prerequisite: ARHI 102 or sophomore standing
ARHI 244
American Art
An examination of American art, 1776-1940. This course considers the growth of landscape, genre, and history painting, as well as portraiture, in the context of changing ideas about nationalism, class, race, and gender. Architecture and sculpture are also discussed in terms of how visual culture shaped early ideas about nationhood.
Units: 6.
Prerequisite: ARHI 102 or sophomore standing
ART 245
InterArts: New Media Projects
Digital media are used to explore the relationship between art and knowledge. Lectures, discussions, readings, and critiques will investigate contemporary art practices and interdisciplinarity. Conceptual-development, planning and production will be covered as students work individually or collaboratively on video, performance, installation, and web projects. Mac-based.
Units: 6.
Prerequisite: ART 100 or ART 110, or consent of instructor
Also listed as Film Studies 245
ARHI 246
19th-Century Art, Design, and Society in Britain
In the 19th century, Britain was at the height of her imperial and industrial powers, with a burgeoning middle class with increased spending power. Against this background, this course examines the painting (including Turner, Constable, the Pre-Raphaelites, the High Victorians), architecture, furniture, and interiors of the period, utilizing the wealth of examples in London’s museums, galleries, and buildings.
Offered at the London Centre.
Units: 6.
Prerequisite: Must be attending the Lawrence London Centre.
ARHI 250
History of Photography
An examination of the development and history of photography, through a study of its processes, practitioners, and photography-related criticism and theory. Topics include the collusion of art and science, the cultural impact of photography, photography's role in fine art practice, and the possibilities and limits of “photographic” truth.
Units: 6.
Prerequisite: ARHI 102
ART 250
Ceramics
An introduction to the basic working methods of ceramics, including hand-building, mold-making, and wheel-throwing. Emphasis will be placed on conceptual development, sensitivity to three-dimensional form, and technical skills of surface and glazing. Lectures, readings, and individual research treat historical and contemporary approaches to expressive work in the ceramic medium.
Units: 6.
Prerequisite: ART 100 or 110
ART 256
Special Topics in Ceramics
This course is a combination of research and studio practice. Through lectures, readings and discussions the class will survey the history of ceramics with the goal of informing the studio work for the course. Students will engage in independent research to develop ideas and critical thinking as well as building on a variety of ceramic skills to create a personal body of work.
Topic for Spring 2014: Here Today, Here Tomorrow -- A studio exploration of the ephemeral and the eternal
The purpose of this course is to explore topics of permanence and impermanence, mortality and immortality through studio practice in ceramics. Permanence and impermanence are considerations across all artistic disciplines but there is a particular sense in ceramics that we are taking something constantly in flux and making it permanent. We will approach this topic using the figure, sculpture, vessels, and installation. Students will produce work in fired and unfired clay.
Units: 6.
Prerequisite: ART 100 or ART 110, or consent of instructor
ARHI 270
Latin American Visual Art (in English)
The course introduces the cultures of Latin America through a survey of its major movements and artists from the early 19th century to the present. Image-based lectures will be accompanied by discussion of visual and thematically related texts (
i.e., biographies, letters, scholarly articles) and carefully selected fragments of videos. Taught in English.
Units: 6.
Also listed as Spanish 426
ART 270
Sculpture
An introduction to the concepts and processes of sculpture, including work in casting, carving, woodworking, assemblage, and mold-making. Discussions will focus on contemporary sculpture and technical/conceptual development.
Units: 6.
Prerequisite: ART 100 or 110
ARHI 275
Latin American Visual Art
The course introduces the cultures of Latin America through a survey of its major movements and artists from the early 19th century to the present. Image-based lectures will be accompanied by discussion of visual and thematically related texts (i.e., biographies, letters, scholarly articles) and carefully selected fragments of videos.
Units: 6.
Prerequisite: One 300-level course in Spanish or consent of instructor
Also listed as Spanish 425
ART 300
Intermediate Painting
A continuation of ART 200, exploring more complex principles of visual expression. Emphasis on oil-based painting techniques, historic and contemporary practices, pictorial structure, formal and theoretical interactions with a strong focus on conceptual development.
Units: 6.
Prerequisite: ART 200
ARHI 320
Contemporary Art
A study of art since 1960. Students will study art works and the theories and strategies that have informed their production. Topics include: the impact of gender and ethnicity, new materials and processes, site-specific and time-based works, and alternative venues and approaches toward exhibition.
Units: 6.
Prerequisite: ARHI 102, ARHI 242, or consent of instructor
ART 320
Intermediate Printmaking
A continuation of ART 220, exploring traditional and contemporary techniques in printmaking, with an emphasis on color and combination printing specific to the aesthetic characteristics of each process. Two or more of the following techniques are used to enhance the conceptual and visual narrative inherent to this graphic medium, including intaglio, lithography, letterpress, and alternative processes.
Units: 6.
Prerequisite: ART 220
ARHI 325
Ethics in Archaeology: Who owns the past?
An exploration of ethical and legal concerns surrounding archaeology: the ownership and treatment of archaeological remains and relations between archaeologists and descendent communities. Topics include the ethics and legality of collecting looting, and the antiquities market; archaeology and nationalism; repatriation of skeletons and artifacts; and professional responsibilities of archaeologists.
Units: 6.
Prerequisite: Sophomore standing and ANTH 120, an ARHI course (preferably ancient to Renaissance), or consent of instructor
Also listed as Anthropology 328, Classics 368
ART 330
Intermediate Photography
A continuation of ART 230 with an emphasis on the use of the pinhole and 4x5 view camera and expanded darkroom instruction covering early photographic printing processes, including cyanotype and silver gelatin. Lectures, readings, discussions, and projects focus around contemporary issues, technical progress, and conceptual exploration. Historic ideas and contemporary issues related to visual culture, photography, and photographic methods are examined.
Units: 6.
Prerequisite: ART 230
ART 340
Intermediate Digital Processes
A continuation of Art 240 or 245 with an emphasis on the extension of existing art forms such as photography, filmmaking, and book design. Lectures, readings, discussions, and projects focus around the exploration of new media theory and contemporary art issues. Mac-based.
Units: 6.
Prerequisite: ART 240 or ART 245
Also listed as Film Studies 340
ART 350
Intermediate Ceramics
A continuation of hand-building techniques, wheel-throwing, and mold-making with additional research into clay and glaze formulation firing methods. Emphasis will be placed on development of content and a personal vocabulary. An expanded survey, artist research, and critical readings will examine ceramics as a form of contemporary visual expression.
Units: 6.
Prerequisite: ART 250 or ART 255
ART 370
Intermediate Sculpture
A continuation of the concepts and techniques introduced in ART 270, with emphasis on students' development of a personal visual language. Materials and processes covered include: mold-making, casting, metal fabrication, plastics, woodworking, and mixed media. Areas of examination include site-specific art, public sculpture, multiples and installation.
Units: 6.
Prerequisite: ART 270
ARHI 390
Tutorial Studies in Art History
Tutorials for advanced students in art history. Apply to the instructor at least one term in advance with a written proposal and a preliminary bibliography.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
ART 390
Tutorial in Studio Art
Offered for intermediate and advanced study in studio art. Apply to the instructor at least one term in advance with written proposal and a preliminary bibliography.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
ARHI 391
Directed Study in Art History
Directed study follows a syllabus set primarily by the instructor to meet the needs or interests of an individual student or small group of students. The main goal of directed study is knowledge or skill acquisition, not research or creative work.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
ART 391
Directed Study in Studio Art
Directed study follows a syllabus set primarily by the instructor to meet the needs or interests of an individual student or small group of students. The main goal of directed study is knowledge or skill acquisition, not research or creative work.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
ART 395
Internship in Studio Art
The internship will provide an experience-based learning opportunity to enrich the student's artistic process and growth. It will encourage innovation and resourcefulness while facilitating an entrepreneurial and informed approach to future creative pursuits. Students should expect to gain "real world" experience and professional connections as well as skills and insights they can apply directly to their creative projects in the classroom and beyond. Students will work on an individual basis with a faculty supervisor, internship site supervisor, and the Career Center to design, implement and evaluate their academic experience.
The academic component of the internship includes readings related to the substance of the internship, discussions with the faculty supervisor, and a written report appropriate to the discipline. Course grades are based on this academic work.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
ARHI 399
Independent Study in Art History
Advanced study for students doing honors projects in art history.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
ART 399
Independent Study in Studio Art
Advanced creative research for students preparing for the senior exhibition or doing honors projects.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
ARHI 400
Topics in Ancient Art
An examination of a particular topic in ancient art history. Students are expected to carry out independent research. The topic will change periodically. Course may be repeated with the consent of the instructor.
Topic for Spring 2014: The Art and Archaeology of Pompeii
This seminar will examine aspects of the art and archaeology of Pompeii and neighboring cities and towns on the Bay of Naples that were destroyed by the volcanic eruption of Mt. Vesuvius in AD 79. These sites offer not only a wealth of information about their art and architecture, but also about Roman urban life of the period, and as the world's oldest continuously excavated site, Pompeii in particular also allows us to study the history, techniques, and theory of archaeology.
Units: 6.
Prerequisite: One 200-level course in art history, one course in classics, consent of the instructor.
Also listed as Classics 540
ARHI 420
Topics in Medieval and Renaissance Art
An examination of a particular topic in medieval or Renaissance art history. The topic will change periodically. Course may be repeated with the consent of the instructor. Students are expected to carry out an independent research project that will serve as preparation for ARHI 680.
Units: 6.
Prerequisite: One course in medieval or Renaissance art history or consent of the instructor
ARHI 440
Topics in Modern and Contemporary Art
An examination of a particular topic in modern or contemporary art history. Students are expected to carry out independent research. The topic will change periodically. Course may be repeated with the consent of the instructor. Students are expected to carry out an independent research project that will serve as preparation for ARHI 680.
Units: 6.
Prerequisite: One 200- or 300-level art history course
ARHI 480
Topics in Art History
This upper-level seminar will explore topics in art history that do not fit the chronological format of the other 400-level topics seminars in art history. May be repeated when topic is different.
Topic for Fall 2013: The Art of Stuff -- Thing TheoryWorks of art may be extraordinary entities, but they are also physical objects that interact with the world around them. This seminar will explore the "thingness" of art, including material processes, modes of exchange and circulation, and the question of function, culminating in an exhibition in the Wriston Art Galleries.
Units: 6.
Prerequisite: One 200-level course in art history or consent of instructor
ART 500
Advanced Painting
A continuation of ART 300. Advanced research into the technical, formal, conceptual, and theoretical approach to painting as an expressive art form. The emphasis is for each student to produce a self-designed project that focuses on creating a cohesive body of work.
Units: 6.
Prerequisite: ART 300 and consent of instructor
ART 501
Junior Studio Art Practicum
The primary purpose of this course is to assist in the research, planning, design, and preparatory development of junior level studio art majors as they begin the process of conceptualizing and creating a mature body of work for the senior exhibition and/or honors projects. This course will be taught as a seminar with a studio component.
Units: 6.
Prerequisite: Any 500-level studio art course or consent of instructor
ART 520
Advanced Printmaking
A continuation of ART 320, exploring advanced research into combination printmaking techniques, with exploration of formal, theoretical, and technical issues related to printmaking as an expressive art form. Alternative and experimental processes are used to further develop the conceptual and visual narrative. The emphasis is for each student to produce a self-designed project that focuses on creating a cohesive body of work.
Units: 6.
Prerequisite: ART 320 and consent of instructor
ART 530
Advanced Photography
A continuation of Art 330. Advanced work in traditional film photography techniques and contemporary art theory. Discussions, readings, and projects focus around art issues and conceptual exploration. Project planning and implementation are emphasized as students work toward producing a self-designed project with a developed artist statement.
Units: 6.
Prerequisite: ART 330 and consent of instructor
ART 540
Advanced Digital Processes
A continuation of Art 340. Advanced work in digital media and contemporary art theory. Discussions, readings, and projects focus around art issues and conceptual exploration. Project planning and implementation are emphasized as students work toward producing a self-designed project with a developed artist statement. Mac-based.
Units: 6.
Prerequisite: ART 340 and consent of instructor
Also listed as Film Studies 540
ART 550
Advanced Ceramics
A continuation of Art 350. Students conduct individual work on a topic related to contemporary ceramic practice, while expanding technical skills and addressing issues in current ceramic criticism. Project planning and implementation are emphasized to develop a cohesive body of work.
Units: 6.
Prerequisite: ART 350 and consent of instructor
ART 570
Advanced Sculpture
A more refined continuation of the ideas, issues and skills addressed in ART 370. Individualized project planning and implementation are emphasized as students develop a unique and consistent body of work.
Units: 6.
Prerequisite: ART 370 and consent of instructor
ARHI 580
Internship in Art Museum Practice
Applied work in all aspects of art museum practice. Students will receive practical training, hands-on experience, and periodic lectures on the role of art museums and issues relating to museum governance, promotion, and education. Assessment will be based on weekly project performance, an end-of-term virtual exhibition, and a short paper.
Units: 6.
Prerequisite: Junior standing, major in art, art history or anthropology, ARHI 100 or ARHI 102; and at least one 200 or 300 level ARHI course
ART 585
Art in the Elementary and Secondary Schools
Art class observations, studio practice in both two- and three-dimensional disciplines, studio demonstrations/lectures, and selected readings and discussions relative to the visual expression of the elementary, junior, and senior high school student.
Units: 6.
Prerequisite: Four studio art courses, EDUC 180 and 340, and two art history courses
Also listed as Education 585
ARHI 590
Tutorial Studies in Art History
Tutorials for advanced students in art history. Apply to the instructor at least one term in advance with a written proposal and a preliminary bibliography.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
ART 590
Tutorial in Studio Art
Offered for intermediate and advanced study in studio art. Apply to the instructor at least one term in advance with written proposal and a preliminary bibliography.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
ARHI 591
Directed Study In Art History
Directed study follows a syllabus set primarily by the instructor to meet the needs or interests of an individual student or small group of students. The main goal of directed study is knowledge or skill acquisition, not research or creative work.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
ART 591
Directed Study in Studio Art
Directed study follows a syllabus set primarily by the instructor to meet the needs or interests of an individual student or small group of students. The main goal of directed study is knowledge or skill acquisition, not research or creative work.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
ART 595
Internship in Studio Art
The internship will provide an experience-based learning opportunity to enrich the student's artistic process and growth. It will encourage innovation and resourcefulness while facilitating an entrepreneurial and informed approach to future creative pursuits. Students should expect to gain "real world" experience and professional connections as well as skills and insights they can apply directly to their creative projects in the classroom and beyond. Students will work on an individual basis with a faculty supervisor, internship site supervisor, and the Career Center to design, implement and evaluate their academic experience.
The academic component of the internship includes readings related to the substance of the internship, discussions with the faculty supervisor, and a written report appropriate to the discipline. Course grades are based on this academic work.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
ARHI 599
Independent Study in Art History
Advanced study for students doing honors projects in art history.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
ART 599
Independent Study in Studio Art
Advanced creative research for students preparing for the senior exhibition or doing honors projects.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
ART 600
Studio Art Senior Seminar
Intended to serve as a capstone experience for students in studio art, this course is designed to complement and work in conjunction with the student’s preparations for the Senior Exhibition. It will cover the practical concerns relevant to working as a professional artist along with current issues pertinent to the contemporary art world.
Units: 6.
Prerequisite: Senior standing and declared major in Studio Art or consent of the instructor
ART 601
Senior Studio Art Practicum
The primary purpose of this course is to galvanize and standardize the studio art majors' preparations for the senior exhibition departmental requirement. By immersing the student in creating and exhibiting an advanced body of work with greater faculty oversight coupled with more formalized peer input, we expect to strengthen students' synthesizing of information, ideas, and conceptual concerns accumulated over the course of their studio art education. Secondary concerns are reflection, assessment and documentation of work produced.
This course will be taught as a seminar with a studio component.
Units: 6.
Prerequisite: ART 600
ARHI 660
Methods of Art History
This course will examine the theories and methods practiced in art history. It will concentrate on key texts, from antiquity to the present, relating to the history and criticism of art and visual culture. Readings will include authors and texts that have come to define the discipline, and more recent authors who have begun to challenge those defining texts.
Units: 6.
Prerequisite: Junior standing and three courses in ARHI numbered 200 or above, or consent of instructor
ARHI 680
Senior Research Seminar
A senior seminar in which students will conduct research on a topic of their choice and produce a substantive original paper in which they demonstrate their ability to comprehend the scholarly literature on the topic, to subject it to appropriate methods of analysis, and to present the results in well-written and professionally documented form. Open to majors who, having completed a 400-level art history course, have previously investigated a research topic that will serve as the foundation for their work in this course.
Units: 6.
Prerequisite: Senior standing, ARHI 660, and one 400-level art history course or consent of the instructor
ARHI 690
Tutorial Studies in Art History
Tutorials for advanced students in art history. Apply to the instructor at least one term in advance with a written proposal and a preliminary bibliography.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
ART 690
Tutorial in Studio Art
Offered for intermediate and advanced study in studio art. Apply to the instructor at least one term in advance with written proposal and a preliminary bibliography.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
ARHI 691
Directed Study in Art History
Directed study follows a syllabus set primarily by the instructor to meet the needs or interests of an individual student or small group of students. The main goal of directed study is knowledge or skill acquisition, not research or creative work.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
ART 691
Directed Study in Studio Art
Directed study follows a syllabus set primarily by the instructor to meet the needs or interests of an individual student or small group of students. The main goal of directed study is knowledge or skill acquisition, not research or creative work.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
ART 695
Internship in Studio Art
The internship will provide an experience-based learning opportunity to enrich the student's artistic process and growth. It will encourage innovation and resourcefulness while facilitating an entrepreneurial and informed approach to future creative pursuits. Students should expect to gain "real world" experience and professional connections as well as skills and insights they can apply directly to their creative projects in the classroom and beyond. Students will work on an individual basis with a faculty supervisor, internship site supervisor, and the Career Center to design, implement and evaluate their academic experience.
The academic component of the internship includes readings related to the substance of the internship, discussions with the faculty supervisor, and a written report appropriate to the discipline. Course grades are based on this academic work.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
ARHI 699
Independent Study in Art History
Advanced study for students doing honors projects in art history.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
ART 699
Independent Study in Studio Art
Advanced creative research for students preparing for the senior exhibition or doing honors projects.
Units: 1 TO 98.
Prerequisite: Counter Registration Required.
