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Lawrence University Collections

Lawrence University is pleased to make available information and images from several of its major teaching and research collections.


CoinThe Ottilia Buerger Collection of Ancient and Byzantine Coins
Ottilia M. Buerger, ’38, beginning in the 1950s, assembled a collection of rare coins that is widely regarded as one of the finest in the United States. Guided by the conviction that ancient coins were small and beautiful eyewitnesses to history, Miss Buerger believed that her “baubles,” as she called them, could bring a vivid reality to the past. In 1991 she loaned her collection to Lawrence so that it could be studied by students and faculty. Since then, the collection has been the subject of two major exhibitions at the Wriston Art Center and has been studied by hundreds of art history, classics, and history students. An online version of its catalog has been viewed by over 4.2 million visitors. When Miss Buerger died in 2001, she left instructions for her collection to come to Lawrence, along with a bequest establishing the Ottilia Buerger Professorship in Classical or Medieval Studies. Contact information

PaintingThe Permanent Art Collection
The university’s Permanent Art Collection contains more than 3,000 items — prints, drawings, and paintings in a variety of media, as well as three-dimensional works of various sorts. Holdings include early modern European and American art, with particularly important collections of German Expressionism, Japanese prints, Oceanic artifacts, and ancient and Byzantine coins. Among the artists represented are Frank Brangwyn, Heinrich Campendonk, Hendrik Goltzius, Emily Groom, William Penhallow Henderson, Maxime Maufra, Louise Nevelson, Jan Saenredam, Egon Schiele, and Paul Signac, Selections from the permanent collection are regularly featured in exhibitions in the three galleries of the Wriston Art Center, art history courses routinely incorporate the study of these original works, and students have access to the collections for their research. Contact information

Klee paintingThe La Vera Pohl Collection of German Expressionists
La Vera Pohl (1901-1981) was a Milwaukee artist, museum director, and collector who studied art and art history in Germany in the 1920s and 1930s. Across a 40-year period, she collected some 220 prints, paintings, and drawings, most of them by early 20th-century German artists — a collection of particular significance because it was compiled at a time when most Americans were unaware of modern German art. Artists such as Wassily Kandinsky, Ernst Ludwig Kirchner, Paul Klee, Oskar Kokoschka, Emil Nolde, and Karl Schmidt-Rottluff lend distinction to the collection, which has been described as “a sharply focused body of work . . . a survey of German Expressionism that embraces the whole of the movement.” Mrs. Pohl bequeathed “her books and library and pictures and drawing collection” to Milwaukee-Downer College, which by the time of her death had become part of Lawrence University. A major exhibition of the collection was held in the newly completed Wriston Art Center at the time of its dedication in 1989. Contact information

Autographed booksThe Rare Book Collection
Tracing its roots to the early library collections of Lawrence and Milwaukee-Downer Colleges, subsequently augmented by gifts from the personal libraries of alumni and other friends of the university, Lawrence’s Rare Book Collection includes nearly 3,500 rare or unique volumes. Some were published as early as the 16th century, although the majority of titles date from the 1800s. Not all are valuable, but most are, in some way, special. The oldest book in the collection is Hartmann Schedel’s Liber Cronicarum (1493), otherwise known as The Nuremberg Chronicle. Faculty and students use the books, which are housed in the Milwaukee-Downer Room of the Seeley G. Mudd Library, for study, research, and teaching. Contact information

fore-edge bookBooks with Fore-Edge Paintings
Included in Lawrence’s rare book holdings are some 30 examples of books with fore-edge paintings, a style of decoration developed in the 17th century and pursued well into the 19th. The technique consisted of fanning the outer edge of the text pages and clamping it, so that a watercolor painting could be rendered by hand on the fanned leaves. When the painting had dried, the fore-edge would be gilt or marbled. The painting cannot be seen until the pages of the book are fanned, which may have made the technique a method of secretly identifying a book’s ownership. Although the painted scenes do not necessarily relate to the content of the books, there are exceptions. A variation is the double fore-edge painting: When Marmion, by Sir Walter Scott, is fanned in one direction, Edinborough Castle appears; fanning the other way reveals Norham Castle. Lawrence’s distinctive collection — each book is literally one of a kind — represents gifts from Bernice David Fligman, M-D ’22, and Dorothy Ross Pain, ’18, among others. Contact information

small sculptureThe Lincoln Reading Room Collections
The Lincoln Reading Room, located on the first floor of the Seeley G. Mudd Library, is home to a pair of outstanding collections of books, prints, pamphlets, and letters related to Abraham Lincoln, slavery, the American Civil War, and Reconstruction. The French Collection, donated by Robert S. French, ’48, includes more than 1,500 items, with an emphasis on Lincoln. The Larson Collection, given by Keville Larson, ’20, Lawrence’s third Rhodes Scholar, contains some 400 items dealing with the Civil War more generally. Contact information

buckskin shirtThe Anthropology Collections
Over the years, Lawrence’s Department of Anthropology, one of the first to be established in a small college, has gathered extensive collections of archaeological and ethnographic materials from many cultural areas. Human ancestor casts and skeletal material are used to study human diversity and the biological roots of humankind. Artifacts from the Aztalan site in southeastern Wisconsin provide insights into late prehistoric life, and the Rock Island collection from Door County provides clues to Wisconsin’s earliest inhabitants. A substantial collection of Oceanic art, particularly that from Papua, New Guinea, provides a rich ethnographic resource. Contact information

Illustrations (from top): Aureus of Hadrian, A.D. 125-128, reverse: wolf suckling Romulus and Remus; Untitled (Portrait of a Boy and His Dog), Unknown (American), oil on canvas, early 19th century (from the collection of Jean Keast Gridley); Rising Sun, Paul Klee (Swiss), watercolor with ink drawing, 1919; books signed by Amelia Earhart, William Faulkner, Jack Kerouac, and Richard Wright; book with pages fanned to show the fore-edge painting; The Council of War (Grant, Lincoln, and Stanton), John Rogers (American), painted plaster sculpture, 1868; late 19th-century buckskin shirt believed to have come from the Menominee tribe in Wisconsin.

Wriston Art Center Gallery Hours: Tuesday-Friday, 10:00 a.m.-4:00 p.m.; Saturday-Sunday, 12:00 noon-4:00 p.m.; closed Monday.

Seeley G. Mudd Library Hours: Monday-Thursday, 8:00 a.m.-1:00 a.m.; Friday, 8:00 a.m.-11:00 p.m.; Saturday, 10:00 a.m.-11:00 p.m.; Sunday, 11:00 a.m.-1:00 a.m.

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